Based on the biography of a former member of the NYPD, Serpico (which is showing as part of “Pacino’s Way,” the Quad Cinema’s currently running salute to the actor) tracks one officer’s encounter with police corruption and his subsequent attempts to change popular practices. That designation came less from any sense of wonder that captivated me as a thirteen-year-old than from the personal attachment my father had to Sidney Lumet’s Serpico (1973). I had by then seen other movies starring Pacino, but the title Serpico rattled through my house, as if, when my father talked about the man and the film, he was talking about some sort of role model. PhotofestĪl Pacino was my first favorite actor. In “Serpico,” Al Pacino’s hero learns a tough lesson: Punishment looms for those who imagine change.
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